Music plays a big role when winding and it is very much about getting into the groove. To wind is when something is wound about a center or an object and in this context it isīasically a sexy way of moving everything between hips and ass and neck in all directions. Winding is a way of dancing that can be done in the privacy of your own home but also very often exercised in a social context in clubs and dancehalls. As your confidence in the movement increases, you will be able to incorporate more movement. While winding youshould feel as if you’re a snake, shimmying through your skin. “Winding is easily the most erotic movement the body can make with little effort. The “winding” movement here comes from that idea.
In this project/piece Halla and John were pursuing fleshy, vuluptous, sensual bodies and movement in the choreography of Ballet. Music: Giselle, by Adolphe Adam, 2nd Act – the part of the Ballet when Hilarion dances himself to death with the Wilis (a group of ghost-like supernatural women who allure men into to dancing themselves to death) Origins: from Halla Ólafsdóttir and John Moström’s ‘Giselle’, 2011 At any time you can choose/change your role between following or generating movements.Portal to empathise with the person you’re copying When copying, the follower does the same as the leader, as precisely as she can.You move to experience pleasure, following and focusing on At any moment, you may choose to either do something with your body which gives you.Notes: In the duet form, one person commits to following one person for the whole duration of the practice Origins: this is Alice’s group version of a duet form developed by Jennifer Lacey for her piece ‘Les Assistantes’, (in collaboration with Nadia Lauro and Jonathan Bepler, performed by Audrey Gaisan, Barbara Manzetti, Ana Sofia Gonçalves, DD Dorvillier, Jennifer Lacey, Alice Chauchat, 2007) Participants: Eleanor Bauer, Ulrika Berg, Linda Blomqvist, Oda Brekke, Alice Chauchat, Anna-Karin Domfors, Nassia Fourtouni, Sara Leghissa, Manuel Lindner, Sandra Lolax, Aranxta Martinez, Maia Means, Halla Olafsdottir, Zoë Poluch, Sanna Söderholm, Ellen Söderhult, Mårten Spångberg, Rebecka Stillman, Andrea Svensson, Mandi Tiukkanen, Vanessa Virta. Facilitators: Eleanor Bauer, Ellen Söderhult
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